Saturday, October 30, 2021

RESEARCH: ART OF THE TITLE - SHERLOCK HOLMES

RESEARCH: ART OF THE TITLE - SHERLOCK HOLMES (2009)

 


The film opening of Sherlock Holmes conveys certain codes and conventions which match the Mystery film conventions. This title sequence clearly emphasised and showed the well known cast, which will encourage interest and hyped around the film. As for the expectation which comes alongside the well-known names. 

Within the film opening the soundtrack used creates suspense and drama but also fits in with the old, vintage style of the film set in 1890 London. As well as this the soundtrack is fast paced, with heavy instrumentals which once again helps to gage our attention. Loud drums and violins are used in order to create speed within the title sequence which supports the actions we see within the visuals of Sherlock and his crew defeating crime. Another key way in which instruments in this film opening are used to keep a high tempo is that symbols crash whenever the tempo needs picking up again such as when new titles/characters are presented to the audience. Overall Dramatic music is used as well to help the audience understand the mood and tempo of the story.


Throughout the opening scene to Sherlock Holmes (2009) a lot of different titles are shown in similar ways. Their is a common theme in the titles as they are all given a grubby/vintage look. Characters are showed by freeze framing particular events which the character takes place in and then a tea-washed background is wiped over them along with the character name/actor’s name written in an old styled handwriting to give a vintage effect. An important part of this film opening is that the directors name (Guy Ritchie) is seen twice once at the very start of the film opening and once again at the very end of the film opening. Overall a lot of text is used to show who is in the film as well as important people such as the director.

RESEARCH: ART OF THE TITLE: CREED

 


RESEARCH: ART OF THE TITLE: CREED

Creed is a well known British Sports/Drama film directed by Ryan Coogler. The film is based on the challenging journey of Adonis Johnson (Creed), the son of heavyweight champion Apollo Creed. As he tries to for fill his farther footsteps as a boxer. Within the film we also get to witness the mentorship from, the iconic face, Rocky Balboa.

I chose to analyse this film opening because it allows me emerge into the world of boxing and life of athletes. As well as inspires and personally connects to my sporting passion. This done through the use of powerful visual style. Within the film opening we get to see a collection of still visuals. This helps to enhance the genre of a modern Sports/ Drama film as for the audience getting to witness the hard and gritty side which an athlete of a combat sport, such as boxing, has to face.

The first thing we see is a close up shot of the a young boy with scratch on his face, who we soon realise is Creed as a child. This establishing shot instantly creates a sense of realism and concern. The establishing shot of young Creed is followed by a visual of older creed wrapping his hands preparing for a boxing match in a boxing environment. From this it suggests to the viewer that the film is primarily based within boxing surroundings and based around Creeds lifestyle. The scenes of both young and older Creed are zoomed in and slowed, which is effective in making  him the clear protagonist as we join him through his boxing journey. As well as this, there is minimal diegetic sound, apart from the added wrapping sound put over the top of the visual of him in an isolated gym wrapping his hands. This is effective as helps build an aspect of suspense and competitivity, because the minimal sound drawing our attention to the nervous energy within the scene. This pulls the audience further into the boxing society as we feel emotionally connected to the opening. 
 
The film opening is further developed and explored through the contrasting colour palette in each visual. As it is constantly switching from murky dark tones of grey and brown infer realism onto the audience which emphasises the risk and loss in sport. Contrasting to the brighter more vibrant shots in energetic colours which mirrors victory and success inside boxing.



Furthermore, we can notice that the title sequence has purposely been made from a collage of still images. The images are low opacity and overlap each other as well as fade in and out. Consequently, giving the title sequence a mysterious effect reflecting both sides which comes with boxing as emotions are on edge. The images continually become slightly more blurred deliberately making the picture look more unfocused. Linking to an athletes fatigue and tiredness while competing in sport. Therefore, this makes the audience feel more emerged and part of the film, as if we are boxing ourselves. Equally, it also creates a manic and busy feeling as everything is happening at once. Making the audience feel panicked and emotionally involved. In addition to this, many of the the camera shot are from the point of view of Creed or a spectator, this will once again make the audience feel more involved and personally connected to the film opening. This will make them  have increasing anticipation and excited about watching the film. The POV perspective also gives us an insight into Creeds journey and character; meaning we can appreciate his challenges and upcoming to becoming the best boxer. Overall, it helped influence us as the audience to becoming supporting and relating to Creed. 


  
The audio codes in this title sequence consists of diegetic sound which is motivational, upbeat music .It is effective in creating a sense of meaning and motivation this is achieved through the upbeat tune and quick rhythm of the music because the quick cut editing.  More importantly the beat matches the pace of the changing collage still visual sequence, this results in the opening feeling faster and exciting.

Friday, October 29, 2021

RESEARCH: ART OF THE TITLE: GONE GIRL

 




The opening shot we see of the film opening is the well known studios Twentieth Century Fox and Regency Enterprises. This is also accompanied by the famous director David Fincher who has previously won the Grammy for the best music video and directed many other popular movies. Including these popular and familiar names and studios will increase the audiences interest and likeliness of the film as they will have a high expectation for the film. This is followed by shot were we are being introduced to a main character, the wife; along with the voice and dialogue of the husband (Ben Affleck), which has been edited over the top. This voiceover introduces the viewers to the character, and strengthens the offscreen relationship between audience and character. The gruesome, twisted narration is juxtaposed with the the soothing, tranquil voice and the hand movements of Affleck. These visual and sound codes together indicates to the audience that the genre of the film is a thriller..  

This mysterious feeling is furthermore emphasised through both the spine-chilling non-diegetic background music playing alongside his smooth voice, as well as the rundown/grubby filter used, this creates suspense as it is an uncomfortable setting compared to where the viewer is sitting in their warm home or cinema. The lighting and filters used also play a large principal in supporting the film in sticking to the genre convention by the  the darkened filter helps portray the mystery and uncomfortable environment and helps influence our initial ideas as an audience of outcome of the film. 

An engaging part of the film opening is that it is very secretive and mysterious which sticks to the genre conventions of an uncomfortable environment but also encourages us to watch it has we have built up suspense and curiosity about what will happen next. Therefore this portrays Gone girls into being a film which you need to watch the full film to find out the plot as for the dark and mysterious plot, rather than like other films where you can understand the pot through the film opening.



Thursday, October 14, 2021

PLANNING:TOPLINE AND BIG QUESTION

 I watched a presentation by Frank Ash who is a Creative Consultant for the BBC. He has taught storytelling and creativity techniques to teams across the BBC and beyond. It is important to focus on the audience; what will interest them. 

Frank Ash film actors will need to think about what the top line and the big question will be. He call the top line "one elegant sentence" which sums up the story.  He then says that we need to leave the audience wanting to find out more, this he calls the "big question".  

Having learned from Frank Ash's presentation on FutureLearn, I decided to sign up for FutureLearn's  - Film Distribution: Connecting Films with Audiences. 

The course promises to cover  how our favourite films make it to our local cinema or television screen, through the film distribution process. The start date is 18 October.

Extraction Film Opening